thanks!
I edit this all with PS LR on a Macbook.
But it has nearly too much of contrast on my screen.
Right, so there's the rub. Until we all calibrate out monitors to agree on color temperature, brightness, and contrast (assuming they are similarly capable of doing so - which is a big assumption), we're all not seeing the same thing. No monitor, Mac or otherwise, comes set up "properly" configured. Why? Because there isn't a single "properly". For example, commercial photographers working mostly with people may select a different color temp than product photographers. And ... most monitors are not capable of rendering the full multi-billion color space required for faithful reproduction. You need photo-capable monitors and driver electronics to pull this off. I don't know the current state of Mac laptops in this regard but I doubt they can do the full space.
In theory, downshifting to the much less capable sRGB standard for web presentation should make us more closely aligned, but it doesn't address the monitor brightness/contrast question at all.
Serious digital shooters buy monitors and calibrators capable of precisely setting all this stuff to some standard. For example, in my case, what little digital I do is calibrated to the color space of the lab that makes physical RA4 color prints from the work. Even so, I can't make all the rest of you do the same, hence you won't see it the way I do.
It's even worse if you use photo quality digital printing for final output. Each combination of printer and paper type must be profiled/calibrated by a reflection colorimeter to get the printed output to agree with the display. What makes this super fun is that printers use CMYK as their default color model and monitors use RGB and the two do not line up perfectly.
BTW, this is not unlike the problem we silver printers face. The final "look" of the print has to consider two things: The likely lighting conditions under which it will be displayed, and the distance from which it will be viewed. For years, my prints seemed a bit dark and muddy until I realized I had way too much light intensity in the darkroom when inspecting prints. Reducing 4 bulbs from - I think - 75W to 65W each made the difference.