- Joined
- Oct 23, 2024
- Messages
- 39
Your use of a spot reading would make sense to the rest then.
The film speed was from this discussion on FADU http://www.film-and-darkroom-user.org.uk/forum/showthread.php?t=7882 and post No 2 on this http://www.largeformatphotography.info/forum/showthread.php?47592-Fomapan-100
I have never used it at 100 ISO. Long story but on a course I did many years ago we were told by Mike Ware, of alternative processes fame, to halve the makers film speed and cut development by 15%. I have stuck by that ever since but tests do show that it works. I have used ID11, Xtol, Perceptol and Ilfotec HC. I am settling on ID11 probably 1+2 as noted by Alan Clark in another post.
Apologizes for unearthing a near decade thread but needs must.
I have been shooting Fomapan 100 on my wista 4x5 camera i recently got. I bought a 50 box of foma 100 and ive struggled to get a neg which isn't insanely high in contrast. I started rating the film at ei100 in hc110 dilution B and gave underexposed thin negatives.
I just did another test portrait with strobes where i metered (incident) and wrote all the contrast ratios. I rated the film ei50 and developed in hc110 dilution H (1+63) with 20% reduction in time due to overexposing. 8 mins compared to 10 mins. I felt dilution B would be to short with reduction in time. I agitate as per the ilford way, 4 inversions every minute. The results still seems strong on contrast. In medium format i would shoot hp5 and fp4.
Any tips on taming the contrast. maybe less inversions? I see alot of potential in fomapan for my conceptual photography but man its dejecting not being able to find a solution.
Cheers
Soulstar